2025
Copy Room is a spatial installation composed of three works that investigate the threshold between painting, textile, and sculpture through material and form.
Strap lies on the floor, where a textile-like acrylic piece folds into a wax frame, evoking gestures of weaving and fastening. Frame 1 stands as a self-contained object suggestive of support, while Corners draws the room into the work by tracing wax lines along its edges, subtly breaking and connecting space.
The installation centers on two materials with contrasting yet complementary painterly qualities: acrylic and recycled synthetic wax. Acrylic offers clarity, control, and structural depth, enabling the creation of dense or translucent surfaces. In contrast, synthetic wax is fluid and tactile—its malleable nature captures gesture and movement, behaving almost like paint. Together, these materials generate a dynamic tension between permanence and vulnerability, structure and collapse, blurring boundaries between image, object, and space.
Arranged with a curatorial logic that balances autonomy and dialogue, the installation becomes a theatrical stage where materials, surfaces, and spatial tensions converge. As viewers move through the space, they shift between positions of witness and participant. Through abstraction and spatial dynamics, Copy Room explores theatricality in installation and the instability of the subject-object relationship.
Frame1
2025
wax, wood
36×34×4 cm
Strap
2025
acrylic, fiberglass, wax, wood
91×167×4 cm
The Corner
2025
wax, wood
101×2×4 cm, 83×2×4 cm
