2024
Objecthood reflects the rhythm of city life, merging space, time, light, shadow, and abstract memories. Incorporating various materials like bricks and asphalt, the work captures the essence of city streets through techniques like clay, plaster, and silicone molding, with acrylic paint as the final medium. The process of creating molds in public spaces, observed by passersby, adds a performative element.
Acrylic sheets, formed by layering paint, serve as objects, paintings, and textiles, blurring traditional boundaries. These sheets are displayed on metal structures, juxtaposing soft and hard materials, and inviting viewer interpretation. The work interacts with the exhibition space, integrating seamlessly with its architecture and surroundings.
